It is distinguished, thus, multiple characterizations of this way in which in an atmosphere almost supernatural of the scene is disclosed to them: … And in that marshy and smoky land, in that hot and slimy humidity, started to minhocar, to fervilhar, to grow a world, an alive thing, a generation that seemed to sprout spontaneous, there exactly, of that lameiro and to be multiplied as larvae in esterco … (p 27) … the races until the sales multiplied in verminar of assanhado creeps … (p 42) … From there little in return of the pipes were one zunzum increasing; a tumultuous agglomeration of males and females. …

(p 41) relation dialectic between the personages and the space discloses the atrelado nonsense to the aesthetic ideals of the naturalismo, therefore these representations of the bestirio are marcante and it sends in them to an illogical one of supernatural purpose. From there the dualism of the nonsense where supernatural this gift in an eminently naturalistic workmanship, endowed with estimated theoreticians who so only deny the fantastic one aiming at to demonstrate the reality. The sensation of the unreal one is marked by proper the aesthetic naturalist who involves the workmanship, therefore, if to take in account the personages, being they beings and well characterized types and of great representation, when comparing zoomorficamente its attitudes, can disconnect in them of the Real effect. In this environment, the physical space interacts with these personages, making with that the proper reader if feels in another place, in which the environment if impersonaties and interacts with the personages and the reader. The relation dialectic between personage and space in ' ' The Cortio' ' of Aluzio de Azevedo – Peter of the S. Branches Grandson 8 … They were five hours of the morning and the tenement house woke up, opening, not them eyes, but its lined up infinity of doors and windows.